![]() "You will rule the world" and "Kill★in the Heaven" With Kakeru Ishihama, Keigo Hoashi, and Satoru Kōsaki Sora o Miageru Shōjo no Hitomi ni Utsuru Sekai The Seven Deadly Sins: Battle of Light and Darkness ![]() The Idolmaster Cinderella Girls: Starlight Stage With Ryuichi Takada, Keigo Hoashi, and Syotarou Seo With Keigo Hoashi, Kuniyuki Takahashi, and Kakeru Ishihama With Kakeru Ishihama, Keigo Hoashi, and Takafumi Nishimura Taiko no Tatsujin 12 Do-n! And Extra Edition ![]() Taiko no Tatsujin: Atsumare! Matsuri da!! Yondaimeįinal Fantasy Tactics: The War of the Lions With Kenjirou Matsuo, Yuichi Nakamura, and Ken Inaoka PS1 version arrangements with various others "Space Alien Stage" and "Space Alien Motion" With Kazuhiro Nakamura and Hiroyuki Kawada In 2019, he composed for battle royale game Cyber Hunter with fellow Monaca composer Ryuichi Takada, both working with violinist Yu Manabe. Its music was acclaimed it won the award for "Best Score/Music" at The Game Awards 2017, and was a runner-up for "Best Original Music" at IGN's Best of 2017 Awards. Okabe, Ishihama and Hoashi would go on to compose for its 2017 sequel Nier: Automata, while being joined by Kuniyuki Takahashi. The composers worked with English-Japanese singer Emi Evans, who wrote and sung the lyrics present in the game's songs. The team were given creative freedom, while working under Yoko Taro's direction, who attended the same university as Okabe and was a 3D graphics designer at Namco. To fit with the game's story, he composed a soundtrack that he describes as "mysterious, delicate, and ephemeral". In 2010, he served as the lead composer for Nier, being assisted by fellow Monaca composers Kakeru Ishihama and Keigo Hoashi, along with Cavia composer Takafumi Nishimura. To this day, the studio frequently compose for both video games and anime, as well as other types of media such as live action films. Although it originally consisted of just Okabe, he would later be joined by ex-Namco composers such as Satoru Kōsaki, who also wanted to work on non-game projects. Three years later, he founded music production studio Monaca. ![]() This led to him composing and arranging a number of songs for various artists, such as Ryuichi Kawamura. He left Namco in 2001 to become a freelancer, as he wanted more freedom to work on non-game projects. He and Sano would also work on Tekken Tag Tournament with other composers in 1999. Both composers chose to make big beat music for the game as it both fitted the atmosphere of the game and had not been done in video games before. This would lead to him scoring Tekken 3 along with fellow Namco composer Nobuyoshi Sano. He would also work on titles such as Air Combat 22, along with some arrangements for the PS1 version of Tekken 2. After graduating from Kobe Design University, he joined Namco in 1994, with his first work being a handful of tracks for medal game Spiral Fall. He has cited Henry Mancini, Ennio Morricone, and Ryuichi Sakamoto as being some of his musical influences. Although he did not learn from teachers, he would develop his musical skills through joining a band and recording music. Okabe started taking electric organ lessons as a child, covering contemporary pop and film music. He established the music production studio Monaca in 2004, which composes for various types of media. Outside of video games, he has composed for anime series such as Working!! and Yuki Yuna is a Hero, along with arranging tracks for J-pop artists. He started his career at Namco in 1994, where he primarily composed for arcade games. Keiichi Okabe ( 岡部 啓一, Okabe Keiichi, born May 26, 1969) is a Japanese composer and arranger, best known for composing music for the Tekken and Drakengard series.
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